- #Can universal audio plugins be used without pro
- #Can universal audio plugins be used without software
- #Can universal audio plugins be used without windows
You can hide any of the panes or rulers I’ve described except the transport, the timeline and mixer in their respective views, and the bars and beats ruler. There’s also the UA logo at the upper left which you click on to see advertising, the extension/instrument store, and change settings.
#Can universal audio plugins be used without windows
Various items on the mixer can be shown or hidden, and strips can be grouped for wholesale changes. The Power, Remove, Copy (paste), and Set default buttons to the left of the mixer strips are “modifiers” that let you easily perform detailed configuration of multiple tracks.Īt the top of both the timeline and mixer windows are the transport console/display section that hides drop-down “Workflow” menus providing editing, MIDI, recording, and mixing options/commands. The mixer is the aforementioned classic design,with slots divided into areas for Luna instruments Unison (see The UA Ecosystem below) effects as well standard inserts for other DSP and AU effects. UA uses the Power, Remove, Copy/paste, and Set default “modifiers” to configure the mixer strips en masse. Click on an icon and you have an equally familiar mixing console view with faders, knob, insert slots, etc. Run the program and there’s the usual timeline with tracks that house audio or MIDI clips.
#Can universal audio plugins be used without pro
If you’re at all familiar with DAWs such as Apple’s Logic or Avid’s Pro Tools, you won’t be startled by anything you see in Luna. Getting stems (the contents of individual tracks) in and out is as easy as it gets given that the feudal DAW industry has yet to develop a combined MIDI/Audio file format. Luna also has easy drag-and-drop import of MIDI (songs and tracks), audio (WAV, AIFF, MP3, M4A, Apple Lossless, etc.), and the AAF (Advanced Authoring Format) files that other top pro-level DAWs understand.
#Can universal audio plugins be used without software
The latter is a handy and highly addictive feature I’ve been pushing on every software vendor I know since I first saw it in the Write! text editor. I can’t tell you how much I enjoy the lack of “Save your work?” dialog boxes and infinite undo and redo across sessions.
Continual save and tracking facilitate infinite undo and redo.
Luna stores all MIDI and audio files, as well as settings and a history of actions in a macOS package for easy transfer. I tried importing a batch of files from 44.1kHz to 96kHz and there was never a hiccup. The audio engine can re-sample and play anything from 44.1kHz to 192kHz on the fly, while background rendering creates files matching the current project sample rate that will be used eventually to reduce the processing overhead this rate juggling incurs. Luna allows you to mix sample rates freely, which, while not unique in the DAW world, is completely transparent. When you create a cue mix it’s actually happening on the interface, and you can even turn the 48 volt phantom power on and off. Inputs appear automatically and there’s no buffer size setting. Now Luna handles all that so visits to Console are rare.Īs a byproduct of this DAW/hardware integration, there’s no configuring of the audio interface. Formerly, UA’s separate Console application was required to set up the Apollo’s DSP effects on cue mixes (what the artist hears in the headphones) and inputs. First and foremost there’s the largely seamless melding of the Apollo interface DSP effects with those that are computer-rendered. Universal Audio’s Luna with two windows open showing the two main views: timeline and mixer.Īfter the break-in period, it was time to delve into some of the impressive stuff going on under the hood. Hardly chump change, but if my initial hands-on is any indication, you may be willing to pony up-in due time. If you don’t, the ante is $500 for UA’s entry-level Arrow. The kicker? Luna is free if you already own a UA Thunderbolt interface. Actually, in this case, a digital emulation thereof-something UA’s Apollo audio interfaces with their on-board DSP processing and plug-in architecture are known for. Universal Audio’s new Luna Recording System is a digital audio workstation (DAW) aimed squarely at anyone who digs the analog vibe and tape recorder/mixing console workflow. Others should wait a couple of iterations till UA’s rival to Pro Tools matures. For existing users, it’s usable now, as well as a tantalizing look at the future. It also works only with Universal Audio’s Thunderbolt audio interfaces. Luna’s excellent infrastructure, and proposed scope warrant more than 3.5 stars, but the DAW is still in its infancy and even the basics are still being fleshed out. No support for third-party hardware of any kind.
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